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Art Painting

Seascape sketch – In 1st Place

All aspects considered, including the client’s preferences, this painting works the best. The painting establishes the position of the boat, which works better on the right. A fishing boat looks ‘prettier’ and the clouds are light and orangey but still with the blue tones. There are so many possibilities; there could still be a few more of these paint sketches. Now let’s see what the client thinks on Sunday.

Seascape sketch - In 1st place
Categories
Art Painting

Seascape Sketch – In 2nd Place

Seascape Sketch - In 2nd Place
Categories
Art Painting

Seascape Sketch – In 3rd Place

Seascape sketch - 3rd place
Categories
Art Painting

Seascape Sketch – In 4th Place

Seascape sketch - 4th place
Categories
Art Painting

Five More Planning paintings / Seascape Sketches

Now that I’m about halfway through – having got right into painting the sea, beach and a cloudless sky – it’s time to concentrate and consider the other elements of the painting.  The intention was always to feature a spectacular sky so I’ve been studying cloud formations at sunrise and sunset. The location of my studio directly on the seafront in Brighton has meant that I’ve witnessed several inspiring sunsets while working on the painting. I’ve been known to say “the sky is performing for me!”. The other crucial component is a boat. For the client, the boat symbolises his father, who died at sea while scuba diving.

I’ve spent the last couple days painting some mini seascapes to scale of the actual painting with the intention of trying out different cloud formations and placements of the boat. For fun, I will post these as if it were a competition, announcing the winning piece last.

In 5th place is this piece:

Seascape sketch - 5th place
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Preliminary paintings

Seascape commission.

Before starting the actual painting, as well as the pencil sketches, I produced a few preliminary paintings to show the client.

Seascape One
Seascape Two
Seascape Three
Seascape Four

Although none of them are finished yet, it was enough to get a feel for the final piece. Seascape Four, particularly, as by painting 2 100cm x100cm canvases side by side, I gained an idea of the scale of the piece.