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Art Cultural Studies Current Affairs News

Protest Artists Collective Pussy Riot perform in Brighton UK

Pussy Riot or bend over for the rest of your life.

Russian #collective #PussyRiot suffer imprisonment for their work.

#inspiring #protest #feminism #radical #artists #radicals who mix/merge art

November 19th 2017 at The Haunt in Brighton UK

Got a copy of Riot Days #book by Maria Alyokhina A.K.A. #Masha, and had the book signed by Masha and ‘Pussy Boy’ plus others at the gig/pub. Anyone can be #PussyRiot

And what a revolutionary act #gig it was.

Russian Feminist protest act artists collective
Riot Days book by Maria Alyokhina A.K.A. Masha performed in Brighton in November 2017 at The Haunt
Russian Feminist protest act artists collective
Protest Artists Collective Pussy Riot perform in Brighton UK
Russian Feminist protest act artists collective Pussy Riot
Russian #collective #PussyRiot suffer imprisonment for their work.
#inspiring #protest #feminism #radical #artists #radicals who mix/merge art
Body painter artist – Ziggy Angus
Russian Feminist protest act artists collective Pussy Riot
Got a copy of Riot Days #book by Maria Alyokhina A.K.A. #Masha, and had the book signed by Masha and ‘Pussy Boy’ plus others at the gig/pub. Anyone can be #PussyRiot
Riot Days book by Maria Alyokhina A.K.A. Masha performed in Brighton in November 2017 at The Haunt
Got a copy of Riot Days #book by Maria Alyokhina A.K.A. #Masha, and had the book signed by Masha and ‘Pussy Boy’ plus others at the gig/pub. Anyone can be #PussyRiot
Got a copy of Riot Days #book by Maria Alyokhina A.K.A. #Masha, and had the book signed by Masha and 'Pussy Boy' plus others at the gig/pub. Anyone can be #PussyRiot
#inspiring #protest #feminism #radical #artists #radicals who mix/merge art
#inspiring #protest #feminism #radical #artists #radicals who mix/merge art
Pussy Riot or bend over for the rest of your life. Russian #collective #PussyRiot suffer imprisonment for their work.

November 19th 2017 at The Haunt in Brighton UK

Got a copy of Riot Days #book by Maria Alyokhina A.K.A. #Masha, and had the book signed by Masha and ‘Pussy Boy’ plus others at the gig/pub. Anyone can be #PussyRiot

Video Footage

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Support Act were

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AKA Jaxx Jacqueline Hammond
Street Life – Photograph by Catherine Sones Me in the bus stop basically, outside the venue – AKA Jaxx Jacqueline Hammond

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Categories
Art Cultural Studies Current Affairs News

Virtual Futures Collective – Alternative Anatomies with Stelarc and Sellars at the V&A Museum

Virtual Futures Collective,  director Luke Robert Mason hosts #VFSalon – Alternative Anatomies with guest speakers Stelarc and Sellars at the V&A Museum.

Virtual Futures collective with Stelarc and Nina Sellars at the Victoria and Albert Museum Digital Design Weekend.

Stelarc and Nina Sellers
Stelarc and Nina Sellers

Yes that is an ear on his arm! That’s Stelarc.

Stelarc is a performance artist who has visually probed and acoustically amplified his body. He has made three films of the inside of his body. Between 1976-1988 he completed 26 body suspension performances with hooks into the skin. He has used medical instruments, prosthetics, robotics, Virtual Reality systems, the Internet and biotechnology to engineer intimate and involuntary interfaces with the body. He explores Alternate Anatomical Architectures with augmented and extended body constructs.

Virtual Futures

Director: Luke Robert Mason

Virtual Futures Collective
Virtual Futures Salons are a series of highly immersive event experiences that encourage and promote original thinking. They bring together artists, philosophers, cultural theorists, technologists and fiction writers to re-address the potential of looking at our future through a techno-philosophical lens. Virtual Futures Collective http://www.virtualfutures.co.uk/

From left to right: Eva Pascoe, Nina Sellars, Benjamin Greenaway, Stelarc, Luke Robert Mason, Graeme Gerard Halliday (Hallidonto), Jacqueline Hammond

As you can see I am very happy to have found my fellow cyborgs and collaborators again.

Virtual Futures Salon at the V&A museum ‘Alternative Anatomies’ with Stelarc and Nina Sellars on 24th September 2017

Categories
Art Cultural Studies Current Affairs News

Stelarc and Sellars – Virtual Futures Salon at the Victoria and Albert Museum 

Alternative Anatomies with Stelarc and Nina Sellars – Virtual Futures at the Victoria and Albert Museum’s Digital Design Weekend.

A momentous day in the technobiosphere of digital design / cyborg / post human / cultural studies / art history.

Guest speakers Nina Sellars from Symbiotica and #VF original Stelarc connected through a shared interest in anatomy. Sellars, looks at bio-material and has re-claimed fat as an organ with greater stem cell yield than bone marrow.

Stelarc experiments on his own body and is cultivating an internet enabled, stem cell grown 3rd ear on his forearm. The combined artist/scientif/ic practice is a groundbreaking collaboration that challenges anatomical boundaries, opening up further potential for unexpected possibilities for the human condition.

Real mind blowing, body popping stuff!!! #postART+SCIENCE artistic practice.

Virtual Futures stems from The Cybernetic Culture Research Unit (Ccru) a student-run interdisciplinary collective founded in 1995 out of the University of Warwick’s philosophy department. It was associated with the work of Sadie Plant, Nick Land, Dan O’Hara and many other rhizomatically linked associates.

To find out more about this field visit www.virtualfutures.co.uk

‪’Keep your two eyes on what your three hands are doing’ Stelarc

Virtual Futures Salon held at the V&A as part of their #digitaldesign weekend.

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Alternative Anatomies with Stelarc and Nina Sellars – Virtual Futures at the Victoria and Albert Museum 

Alternative Anatomies with Stelarc and Nina Sellars – Virtual Futures at the Victoria and Albert Museum London 

Very excited. En-route to the #V&A #museum to film Stelarc and Nina Sellars talk at #VirtualFutures Salon. Stelarc is an original 1990’s #VF contributor. 


Renowned for pushing the boundaries Stelarc explores and interogates notions of identity and the post human. With a third hand and stem cell grown ear he could be described as a living cyborg…

The legendary art/robotics artist will be in discussion with Nina Sellars. 


“The original Virtual Futures Conferences (1994, 1995, 1996) were often portrayed as technopositivist festivals of accelerationism towards a posthuman future – the “Glastonbury of cyberculture”, as the Guardian put it. However, hidden behind the brushed steel and silicon, the jargon, the charismatic prophets and the techno parties the mission was rather more sober and more urgent. They were an attempt to develop a new interdisciplinary approach to confronting the contemporary technologisation of first-world cultures.

The Virtual Futures Conferences (1994, 1995 & 1996) saw groups of renegade philosophers lock horns with the future based on the provocations of evidence provided by the emergence of the Internet. Their predictions were wild, exerted creative licence and were unfaithful to every academic discipline.

Soon these events evolved into a unique, international gathering where the morphing of cultural space was accelerated by the head-on collision of science, theory, music, fiction, and multimedia. Today the conferences continue to connect audiences with one of the most important intellectual and cultural developments of our times – the technological extension of the human condition.”

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News

Are Artists the New Interpreters of Scientific Innovation? – NYTimes.com

Yes. Enquire within

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Screenmancer | Venice Films Mostly Male & AFI 100 Movies List 2017, Not One by a Woman?

“What makes one an activist?

Activism is bred from rage. Being a “have not” in an environment of riches is maddening. People continue to insist that the film business is a meritocracy, that the best and the brightest succeeded, but most are blind to the fact that without opportunity one cannot possibly rise. This is true regarding class, race, or gender. It’s this frustration and exclusion that sparks the flame of needing to fight back.

What is working and what isn’t?

We have to stop accepting the status quo. We say, “The future is female” but in Hollywood that all too often means having female executives or filming a female protagonist who just acts like a man. Until we have female creators using their voices and vision to offer fresh perspectives, it’s all pabulum.”